Biblioteca
Per maggiori informazioni o appuntamenti, contattaci a: info@salamongallery.com
Abbiamo una delle più importanti biblioteche d'arte private italiane, che comprende monografie di artisti, cataloghi di aste, mostre pubbliche e private e riviste specializzate.
Collezionisti e studiosi possono accedere all'indice digitalizzato che comprende i titoli dei libri e l'indice completo delle riviste, circa 15.000 titoli in tutto, e, previa appuntamento, possono consultarli in sede.
Per maggiori informazioni o per fissare un appuntamento si prega di contattare Simona a: sz@salamongallery.com
Master Drawings
1963, Vol. I, n°3, pag. 57
Walter Vitzthum
The accademia del disegno at the Uffizi. Drawings from the Accademia Carrara at Bergamo
Print Quarterly
1985, vol. II, n. 3, p. 239
Gunther Thiem
The Age of Expressionism
Print Quarterly
Volume XVII n° 2, June 2000, page 202
Antony Griffiths
The Albertina
Print Quarterly
Vol XVII number 1 march 2000 pag 83
Sarah Hyde
The Alchemist of Mezzotint (books reviews)
Print Quarterly
1987, vol. IV, n. 4, p. 362
Ann Lee Morgan
The American Audubons: Julius Bien's Lithographed Edition
Master Drawings
1993, Vol. XXXI, n°1, pag. 21
Stephanie Wiles
The American muralist H. Siddons Mowbray and his drawings for the Larz Anderson House
Print Quarterly
Vol XIII, no 4, December 1996
John Gage
The Anatomy of Colour
Print Quarterly
Volume XVII n° 4, December 2000, page 364
Natalia Parshina
The Angel's Wing that Wasn't Old Master Paintings and Eighteenth-century Mezzotints
Master Drawings
1972, Vol. X, n° 3, pag. 260
J. Q. van Regteren
The anonymous spanish sitters of Gerard Terborch
Master Drawings
1963, Vol. I, n°2, pag. 34
Friederich Winkler
The anonymuos Liechtenstein Master
Paragone Arte
Gennaio 1987, anno XXXVIII, n° 1 (443)
Adrian S. Hoch
The antique origins of an Emperor by Simone Martini
Print Quarterly
Volume XVII n° 4, December 2000, page 439
Petra Roetting
The Apocalypse
Master Drawings
1969, Vol. VII, n° 1, pag. 16
G. L. Hersey
The arch of Alfonso in Naples and its Pisanellesque "Design"
Print Quarterly
1985, vol. II, n. 2, p. 136
Eugenia Parry Janis
The Argument of the Eye
Print Quarterly
1991, vol. VIII, n. 4, p. 458
Carolyn Machardy
The Armingtons
Master Drawings
2002, Vol. XL, n° 4, pag. 360
Jennifer Hersh
The Art Institute of Chicago: The Lithographs of James McNeill Whistler and Songs on Stone. James McNeill Whistler and the Art of Lithography
Master Drawings
2007, Vol. XLV, n° 1 pag. 106
Laurence Lhinares And Lise Bicart-Sée
The Artist Pierre Peyron as a Collector of Drawings
Master Drawings
1979, Vol. XVII, n°2, pag. 152
R. E. J. Weber
The artistic relationship between the ship draughtsman Willem van de Velde the elder and his son the marine painter in the year 1664
Master Drawings
1970, Vol. VIII, n°3, pag. 287
Mahonri Sharp Young
The Ashmoleam Exhibition
Master Drawings
2018, Vol. 56, n. 4, pag. 443
Peter Windows
The Attributional Inscriptions in the Antonio II Badile Album of Drawings
Master Drawings
2013, Vol. 51, n° 4, pag. 471
Margaret Morgan Grasselli
The attributions of the Fauns: Restoring a group of "Trois Crayons" drawings to Louis de Boullogne the Younger
Master Drawings
1982, Vol. XX, n°3, pag. 239
Peter Meller and Jeanne Hokin
The Barberini master as a Draughtsman?
Print Quarterly
Vol XIII, no 3, September 1996
Timothy Clark
The Baur Collection
Master Drawings
1998, Vol. XXXVI, n° 1, pag. 17
Jaap Bolten
The beginning of Abraham Bloemart's artistic career
Arte Veneta
Alfieri Edizioni d'Arte, Venezia, Annata XVI, 1962, p.42
Felton Gibbons
The bellinesque painter Marco Bello
Print Quarterly
1993, vol. X, n. 2, p. 196
Frances Carey
The Bibliothèque Nationale
Print Quarterly
1991, vol. VIII, n. 4, p. 452
Antony Griffiths
The Bicentenaire and the Print
Print Quarterly
September 2003 vol XX number 3 p 311
Jeremy Lewison
The Big Americans , recensione
Print Quarterly
volume XVIII n° 4, December 2001, page 472
Graham Larkin
The Birth of the French Book
Print Quarterly
1991, vol. VIII, n. 2, p. 184
Michael Bath
The Body in Renaissance England